top of page
2.png
3.png
1.png

Hip hop has long been a powerhouse in shaping global culture, yet it continues to face hurdles that hinder its growth and respect, especially in regions like The Valley. Artists here encounter unique challenges, from navigating industry stigmas to staying authentic in a rapidly evolving digital landscape.


The Struggle to Stay True

In an era dominated by Spotify and TikTok, hip hop artists are often forced to walk a fine line. Platforms like these can elevate an artist’s career, but they also come with strings attached. Spotify plays can be bought, undermining credibility, while TikTok trends can pull artists away from their core identity. Not every rapper wants—or should have—to create a viral dance challenge to gain traction. For many, staying true to their brand and their music is a far greater priority than chasing algorithms.


Venue Stigmas: A Major Roadblock

When it comes to booking shows, hip hop artists face significant pushback. Venues often view rappers and their fans as potential security risks, a stereotype that does nothing but shrink opportunities. Sure, there’s room for improvement in professionalism among emerging artists, but these flaws are fixable. Blaming "culture" for the industry’s skepticism? That’s a much harder barrier to break.

These biases don’t just hurt artists—they discourage fans and stifle curiosity. In Kansas, it’s common for people to attend a show they know nothing about, yet when it comes to hip hop, the assumptions kick in. The moment someone sees a flyer packed with artist names full of dollar signs and Z’s, they decide not to show up. That’s a conversation for another day, but it’s emblematic of the broader issue.


The Oversaturation Debate

Inside the community, hip hop faces criticism as well. The rise of YouTube beats, for instance, has sparked debates about originality. While these beats give more artists access to production, they also create oversaturation. It’s not unusual to find two rappers performing over the same instrumental—sometimes even at the same show. Add the race to secure copyrights, and it becomes a chaotic scene where quantity often outweighs quality.


Empowering Artists with Resources

This is where platforms like RapVeterans step in. They equip hip hop artists with the tools and knowledge to navigate the industry’s pitfalls, from overcoming venue biases to presenting themselves with professionalism. For R&B artists, the road is a bit smoother—they don’t face the same level of scrutiny. But for rappers, convincing a venue that they’re not bringing "street problems" into the building is a battle in itself.

Let’s be real: we love hip hop and its players, but we’re not blind to the hurdles they face. Platforms like RapVeterans.com are critical in breaking these stereotypes and fostering growth in the community. As their influence grows across Kansas City and the Kaw Valley, they’re becoming a cornerstone of support for local talent.


Building a Stronger Future for Hip Hop

The road ahead requires more than just talent—it demands resources, community support, and a shift in perception. Hip hop in The Valley is rich with potential, but it needs both artists and fans to rally behind it. Platforms like RapVeterans.com are leading the charge, proving that with the right tools, hip hop can thrive in any space. Let’s give the culture the respect it’s earned.

 
 



As the “Fly High Tour” lands in the Midwest, fans are buzzing about the powerhouse lineup joining Dizzy Wright for this leg of the journey. Kansas City’s rap scene heavyweights, King Kihei, Mizz Nekol, and DJ Sleepybeatz, are set to elevate the experience as they showcase their unique artistry. With Dizzy Wright at the helm, fans can expect a night of raw lyricism, energy, and community pride.


King Kihei: Representing Kansas City

Known for his strong ties to Kansas City’s Black community, King Kihei’s storytelling is grounded in the real struggles and triumphs of his hometown. His lyrical skill and dedication to his craft have cemented him as one of the city’s most respected voices. On the “Fly High Tour,” King Kihei brings an authentic voice from Kansas City, adding depth and meaning to the tour’s Midwest stops.


Mizz Nekol: Kansas City’s Champion MC

Mizz Nekol, a leading MC from Kansas City, has a message that resonates well beyond her local fans. Her latest release, which celebrates the Kansas City Chiefs’ Superbowl victory, has become a local favorite and showcases her ability to represent the city’s spirit in her music. As she joins the “Fly High Tour,” Mizz Nekol aims to bring her message and her music to a larger stage, inspiring other artists, especially female MCs, to find their voice.


DJ Sleepybeatz: Setting the Vibe

No tour is complete without a top DJ, and DJ Sleepybeatz, who exclusively DJs for King Kihei and Mizz Nekol, brings the right energy to keep the crowd moving. Known for his seamless mixes and ability to create a powerful atmosphere, DJ Sleepybeatz ensures that every stop on the Midwest leg is an unforgettable experience.


Dizzy Wright’s Vision for Independent Artists

Headlining the “Fly High Tour” is Dizzy Wright, who brings a long-standing dedication to independent hip-hop. His latest album, Emotional Discipline, showcases his growth as an artist, with lyrics that explore themes of resilience and self-reflection. Fans in Sioux Falls, Kearney, Tulsa, and Wichita will get the chance to see Dizzy’s journey live, alongside an all-star lineup from Kansas City that’s bound to make each show an unforgettable night of independent music.





With King Kihei, Mizz Nekol, and DJ Sleepybeatz alongside Dizzy Wright, the “Fly High Tour” promises to be a defining moment for fans across the Midwest. Each artist brings their own voice and energy to the stage, uniting hip-hop’s talent and passion in a way that only this lineup can deliver.


Find King Kihei:



Discover DJ Sleepybeatz: https://dj-sleepybeatz.square.site/




 
 




When it comes to music culture, Kansas may not be the first place that comes to mind. Yet, a new wave of artists, storytellers, and fans is challenging long-standing attitudes toward hip hop and rap in the state. At the heart of this shift is The New .Wav, a visionary initiative that aims to connect all music centers in Kansas by fostering unity and positivity through the power of hip hop.


Recently, this movement made its mark in Manhattan, Kansas, in the form of its most recent embodiment of concert experiences, "CIRQUE DU MIXTAPE" bringing a fresh energy that may very well ripple out to surrounding cities and beyond.


Traditionally, Kansas’s music venues have been more welcoming to genres like country, rock, or jazz. In fact, many venues have policies against hosting hip hop shows, often due to stereotypes about rap’s association with controversy. The New .Wav, however, is confronting these biases head-on, introducing audiences and venue managers alike to the possibilities within hip hop culture. The recent event in Manhattan was more than just a show; it was a live experience aimed at altering perceptions, with each beat and lyric resonating with a positive energy that broke down cultural misconceptions about hip hop.


This event did not just focus on the music but on storytelling as well. Through carefully crafted storylines and live interactions, The New .Wav showed the audience how live hip hop is a compelling experience. Artist, Hebersain's story about overcoming obstacles, told through his lyrics, connected with Manhattan residents from all walks of life, highlighting that the challenges expressed in hip hop are often universally understood.


The promotional campaign for The New .Wav played an essential role in drawing attention to this show. Organizers leaned into a scarcity-based approach, generating excitement by emphasizing that this was an experience not to be missed. The message was clear: hip hop had come to Manhattan, and it was here to share a new vision. Video teasers showcasing artist previews and glimpses into the artistic message behind the event built up anticipation and invited curiosity. By the time the show rolled around, tickets were in high demand—a testament to effective promotion that went beyond traditional advertising and tapped into the community’s growing interest in diverse musical experiences.


This show isn’t an isolated event but the start of a larger movement, one with the potential to connect the different music scenes across Kansas. The ultimate goal is to create an environment where hip hop and rap are respected as mainstream forms of art, no longer relegated to the outskirts of Kansas’s music industry. If The New .Wav continues to be well-received, it could pave the way for future shows in cities like Emporia, Lawrence, and Wichita, establishing Kansas as an inclusive state that embraces the full spectrum of music.


For Manhattan, the success of this show signifies more than just entertainment. It represents a cultural shift and a breaking of barriers. Local residents who attended the event left with a broader perspective on hip hop’s cultural and artistic value, helping dismantle long-standing biases. As The New .Wav continues to expand its reach, the mission is clear: to change hearts and minds, creating a Kansas music culture that respects all genres and stories.


This initiative, fueled by genuine passion, effective storytelling, and strategic promotion, isn’t just about music. It’s about community, understanding, and the transformative power of art. For those in Manhattan who experienced this show, it’s clear that The New .Wav is more than a concert series—it’s a new chapter in Kansas’s musical legacy.



 
 

©2025 by RAPVETERANS.

bottom of page